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Sociological Review 56(2): 275–292. Wang, An-Chih, and Bor-Shiuan Cheng. 2010. When Does Benevolent Leadership Lead to Creativity? The Moderating Role of Creative Role Identity and Job Autonomy. Journal of Organisational Behaviour 31(3): 106–121.  Patrick. 2011. Subcultural Theory: Traditions and Concepts. Cambridge: Polity Press. Woo, Benjamin. 2013. Why Is It So Hard to Think of Comics as Labour? Comics Forum, December 9. org/2013/12/09/ why-is-it-so-hard-to-think-about-comics-as-labour-by-benjamin-woo/ CHAPTER 3 Between Art and the Underground: From Corporate to Collaborative Comics in India Jeremy Stoll Historically, in Indian comics culture, a corporate model of production has predominated that is predicated upon a division of labor.

Besley, Tina. 2010. Digitised Youth: Constructing Identities in the Creative Knowledge Economy. Review of Contemporary Philosophy 9(1): 11–39. Blumenstein, David. 2013. Stanleys 2013: The Australian Cartoonists Association Conference (Part 1). Nakedfella Productions, October 28. com/blog/2013/10/ stanleys-2013-the-australian-cartoonists-association-conference-part-1/ Creative Industries Mapping Document. 2001. The Department of Culture, Media and Sport. London, UK.  2012. Media Work, Career Management and Professional Identity: Living Labour Precarity.

2012. Media Work, Career Management and Professional Identity: Living Labour Precarity. Northern Lights: Film and Media Studies Yearbook 10: 9–24.  1997. Notes from the Underground: Zines and the Politics of Alternative Culture. New York: Verso. FOR THE LOVE OF THE CRAFT: INDUSTRY, IDENTITY, AND AUSTRALIAN...  1998. ’ Comics and Censorship in the 1950s. In Bonzer: Australian Comics 1900s–1990s, ed. Annette Shiell, 49–55. Red Hill: Elgua Media. Hackley, Chris, and Arthur J. Kover. 2007. The Trouble with Creatives: Negotiating Creative Identity in Advertising Agencies.

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