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Additional info for D. H. Lawrence: Nature, Narrative, Art, Identity
L. proposed to me an association that we each regarded as binding and, sacred. e. our relationship) holds us together’, and he was quite sincere. 25 She was also indifferent to Lawrence’s suggestion that she should herself become a writer—being at that time far more concerned to press his claims than her own. She did, in fact, produce her own novel, ‘The Rathe Primrose’, under the pseudonym ‘Eunice Temple’, but later destroyed the manuscript—an act which may have been linked to a decision not to pursue a writing career of her own.
So far as Cambridge was concerned, however, there had been a setback in the early 1890s, when what might have seemed a logical successor to various reforms, the proposal to give women full degrees, was heavily defeated in the University. In Lawrence’s time the pressure for women’s suffrage had been renewed, nevertheless, most recently through agitation from the Pankhursts, the mother Emily being aided by her daughters Christabel and Sylvia. Various of his female acquaintances, as has already been noted, were prominent supporters of the movement.
He said. ‘It serves me right,’ she repeated. ” ‘He didn’t,’ protested Paul. ’ ‘It looked as if he respected you,’ he said. ‘He did! And I made him horrid, I know I did. 18 18 L SlA 66 (cf. L SLC 427). Realism, Romance and the Transformation of Narrative 35 An advantage of the suggestion just made is that it helps to explain something that has worried critics by its argument that it was during the period of his projecting the episode with Clara Dawes that Lawrence came to believe that the love he was discovering with Frieda was impersonal rather than personal.