By Peter Ackema

The phenomena mentioned through the authors diversity from artificial compounding in English to contract alternations in Arabic and complementizer contract in dialects of Dutch. Their exposition combines insights from lexicalism and dispensed morphology, and is expressed in phrases obtainable to students and complicated scholars. - specified exploration of interfaces of morphology with syntax and phonology - large empirical scope with many new observations - theoretically leading edge and critical - available to scholars with chapters designed to be used in instructing

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We have sent them back to Bangkok. ' Wayne, the director, spoke next. 'One of the Thai actors is sick,' he said. 'We need a young Thai woman to take a small part in the movie. We need a Thai girl who speaks good English. ' I said. ' 'Yes. This is a part that you can play,' James Rogers replied. 'You remember the scene that we were shooting the other day? This is wh

Everybody was talking loudly. They were not listening to the director. Sanan's men were still pointing at J ames Rogers and shouting his name. One man had found a piece of paper and the actor was giving him his autograph. Another man was trying to shake James Rogers' hand. Etienne was taking photographs of them, and of the angry director. ' Sanan said angrily. 'Of course J ames Rogers has a gun. He's the hero in this movie. ' 38 I wasn't frightened of San an now that he had no gun. 'You came to the wrong boat,' I said.

The hotel was quiet and boring without Etienne and Lisa. 46 I waved goodbye to Etienne. 10 Kaya, the Movie Star But I was wrong. Life was not quiet and boring without Lisa and Etienne. The next morning I had a surprise. I was in my room studying when my mother called to me. 'Kaya,' she called. 'Come quickly. A police inspector is here with two foreigners. ' I ran downstairs. A policeman from Phang Nga, James Rogers, and the director were at the door of the hotel. The inspector spoke first. 'Thank you for helping us catch San an and his gang,' he said.

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