By Michael Paschalis; Stavros Frangoulidis (ed.)
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Extra resources for Ancient Narrative: Supplementum 1 Space in the Ancient Novel
Cf. Harrison 2000, 211–235. 5:
II After these general connections between Daphnis and Chloe and Pleasantville I now turn to a specific scene in either work which best illustrates the simultaneous presence of innocence and experience from whose inherent tension the narrative development of a love story may derive its most irresistible force and greatest appeal. Both scenes are highly erotic, if in different ways. That in Pleasantville is indeed the most erotically charged one in the entire film. Neither scene is in any way pornographic.
3; this and the following quotation are from Gill, 300. 34 MARTIN M . WI NKLER tional and stereotypical 1950s role, and determinedly emancipates herself from husband and kitchen. ) While she is in the process of discovering her erotic self in the bathtub, she begins to see her surroundings in color. Soon after, she leaves behind her black-and-white existence for good and turns into color herself. it gives rise to a whole new world of nuance and beauty that’s nonsexual…. Although Ross does not name Plato here, he might as well have done so, because his words are clearly in the tradition of Platonic philosophy.